XG's THE CORE Tour Goes Global — Without the Man Who Built Their Sound
This week, XG's second world tour "THE CORE" officially entered its global stretch — Australia presales opened Tuesday, with Rod Laver Arena in Melbourne (Oct. 12) and Qudos Bank Arena in Sydney (Oct. 14) on the books. The demand is real, the rollout is massive, and by any metric, XG is in their biggest moment yet.
But the story under the story is who's not there. In February, XGALX CEO and creative architect SIMON (JAKOPS) was arrested in Nagoya during a hotel raid — cocaine and cannabis reportedly seized. He was indicted in March and resigned as CEO. JAKOPS was the singular force behind XG's sound: the specific blend of hip-hop, trap, R&B, and drill that set them apart from every other girl group in their lane. He's the guy who held the cultural blueprint for what made XG feel different.
Now the group is pressing forward without him. Seven members, global venues, no clear creative successor named. For a community that cares about where Black American music sits inside XG's DNA, this matters more than the usual label drama. JAKOPS wasn't just an executive — he was choosing the samples, setting the sonic references, bridging two worlds. Who carries that now?
Also worth watching this week: XG's scheduled July 31 Hong Kong concert date has ignited criticism from mainland Chinese netizens who say the date is historically insensitive — tied to Unit 731 associations. It's another front in the ongoing tension around XG's identity and who gets to have a stake in it.
Two questions for the room: Can XG maintain the sonic identity and cultural specificity that made them interesting — without the architect who built it? And what does it mean that a Japanese girl group built on Black American music references is now having its identity contested by audiences across Asia?
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Andre Thomas
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XG's THE CORE Tour Goes Global — Without the Man Who Built Their Sound
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