Hey! Owen asked me to share a technique I came up with yesterday while synthesizing kicks in Serum. It was easier to show than explain, so I recorded a video. Pardon me for being a bit hungover. We had a crayfish party last night, a late-summer tradition that involves a lot of crayfish, akvavit, and vodka 🦞 The technique itself is all about matching the cycles of your kick exactly to a reference. Hope this helps you guys!

I’m currently sat at #5 on beatport charts for my genre, up there with some huge names in the scene, thanks to the techniques I learned here 👌 big up OTG!

Hello guys. I need your opinion on how to distribute your time and efforts during the process of creating a track from scratch. I found myself in a methodological trap trying to mix during production and writing. I always do everything in parallel, however I'm in a doubt because it has some cons that I really feel. So I think if you try to mix or engineer the sound BEFORE you have completed the musical ideas you risk to spend much more time and even get very tired of the track you are working on. And I've got tired of a couple of latest tracks trying to make them sound as perfect as possible.

Heyyy, anyone know why there is a difference in the slope between span and q2 and which is correct? - span looks like it’s sloped down to the highs and q2 does not! Maybe it’s a setting in span but I can’t find it 😂 Ty

Recently delivered Donks (Klubbheads) and Sandy Organ (Make The World Go Round). We already had the House Organ (Korg M1) and Elec Organ (CZ-1000), plus the classic Tx81z bass patches (Solid, Lately). I've always wanted to try Android by The Prodigy... What next? What else? 🤔