@Timothy Colomba Totally agree with Tim on this point. This is probably my largest critique overall. Some passages are hard to follow because so many ideas are being conveyed. For example: Elber paused slightly, which was more for airs than anything else, but it allowed Melβs mind to wander through a few legends trying to connect the name in his head but he ended up only able to shrug it off while Elber continued with but a half of a breath between sentences. This was one of the most severe examples, but as readers we're switching between two perspectives in one sentence, and the descriptions are long and overly specific. There were quite a few times where this happened in the first chapter and it did make it difficult to understand at times. Remember, less is more! You want to show, not just tell. Elber paused, more for dramatic effect than anything, but it provided Mel a brief moment to wonder if he had indeed heard the name. He shrugged as Elber continued. (Sorry to put the criticism first!) With all that being said, your voice here is actually wonderful. Very playful and beautifully reminiscent of both Tolkien and C.S. Lewis. Absolutely perfect for the genre. You also managed to carry the same style from your prologue into the first chapter even though we're now in 3rd person, past. On that note, there was one moment that was a little surprising. About halfway through, you switched into more of a narrator's tone as if the Unspoken himself was telling the events of chapter 1. I actually think that's a cool idea if it was intended! I'd just suggest making it much more obvious at the beginning of chapter 1 that the Unspoken is narrating still. Overall though, lots of good surprises here! Honestly, nothing that a good editor couldn't tighten up! @Zane Dowling