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172 contributions to Rock N Blues Fretboard Friends
Mind Blown
Yeah, mind blown from nerding out on theory with Robbie yesterday and starting to look into Barry Harris and his theories/approach. You saw it Robbie, I had to sit down on that chair to ponder the implications. It was like feeding a nuclear warhead to a child for an afternoon snack. So every diminished 7 chord converts into a Dominant chord, a different dominant chord…by lowering a single note half step, and they amount to a regular Dominant, a Backdoor Dominant and a Tritone Substitution… “Get out of here… go away Robbie” I believe were my exact words. I know all these things but I never made the deeper connection and realization. Its been right there in front of my face the whole time! This is mind expanding stuff, dangerous in the hands of a guy like Me who is now on the hunt to understand the deeper implications. Because I believe, not sure yet because I’ve not dug into it by myself, that the number of chord options one has may have either doubled or tripled. Yesterday I also learned that some of Ted Greenes chord forms were never intended to actually be played, which at the time I wrestled with Ted Greene for the first time, probably would be the 1970s where my Dad had it and then the early 90s where I, foolish mortal, thought “oh hey I’ll do Me some Ted Greene, My dad had this book”. I was not made aware of that tiny bit of information…so I fled that book screaming in horror never to return, hating it while being in awe and scared at the same time!
1 like • 6h
@Phil Smith You're correct about the movement of a C major to a Cdim. So, absolutely, you can drop the 3rd and 5th in CEG by a half step. C Eb Gb I teach it slightly differently, but all roads end up the same place. Where I might not follow, is where you mentioned C dim being in the key of Eb. Eb is - Eb Fm Gm Ab Bb Cm Do Robbies post and my elaboration of it, talks about a Diminished 7 chord, which is different than a Diminished triad. The diminished seventh, is essentially a diminished triad, but with a double-flatted (bb) seventh. R b3 b5 bb7 The detailed breakdown is interesting and probably more meaningful for those that know the notes of all chords. For those that dont, cool, no problem. So that takeaway becomes, any Diminished 7 chord, if you lower any one note a half step, becomes a specific Dom7 chord. In my breakdown, I tried to bring people along, by essentially “giving the answers of the test” so they could follow. “What notes are in a B Dim 7?” - “I don’t know…” “No problem, heres the answer: BDFAb. Now we can continue” But, this feedback is useful because what we share is only useful to the extent that we can teach it and have it be clear. So this makes Me want to go back and evaluate my presentation as a teacher, as to how better not to confuse/lose others. Because if someone doesn't understand it, as a teacher, I believe that it falls upon Me to do a better job refining and explaining. You’ll eventually hear it from Me, because I say it with a lot of passion, “I don’t want anyone left behind”. One of the things that I am always trying to do is reach as many people as possible by simplifying things as much as possible without ever becoming condescending, in doing so, by simply watering things down.
0 likes • 4h
@Phil Smith No worries there, man. Im more concerned with you not being lost, than any mistyping!
Get your ear plugs ready - here I come! 😁
I'm reviewing songs I played on guitar before I put down the guitar in favor of the piano keyboard a year and a half ago. I'm quite rusty on them which is to be expected. But with the enthusiasm that normally accompanies ignorance, I'll post it anyway. I'll start with "Blue Eyes Crying in the Rain" I recorded this week. This is my rendition I scabbed together from various YouTube teachers. It works in that I don't need another person or machine recording to play rhythm for me, especially in the instrumental in the middle. I have the cheapest guitar known to man. The Sound system I have is awful. I'm in what is basically a storage room. This is also my first try at recording. I see I need to make adjustments.
Get your ear plugs ready - here I come! 😁
4 likes • 1d
@Phil Smith Yeah - I think you doing a video would be great, because from your perspective, which, no offense to the other guy, but I think its more relatable coming from you!
2 likes • 5h
@Phil Smith yep thats how us broke musicians flex nowdays! Working printers are the stuff of the elite 🤣😁
What was the first song you were able to play or sing right through from start to finish!?
Mine was all about that last bit of sleep before you wake up. REM . Losing my religion, a few years ago now' just revisited. Great song!
What was the first song you were able to play or sing right through from start to finish!?
0 likes • 5h
@Ron Williams Ah yeah. thats the one! My dad did these great half step chord sliding things.
1 like • 5h
@Ron Williams No I never played it again till just now for that video (to the best of my memory!)
Theory Talk - Analysis of Country Roads 1
Part 1 Verse Good morning! So, if you’ve been following our theory bites, you should now know the chords in the key of G Knowing the chords, and the triads and their spelling and all of those things, will make this much easier to follow. Analysis tries to figure out what is going on with a song, and highlight things like cool changes that work, song construction, and cadences. Verse G - Em - D - C back to G This is a I vi V IV to I. In Nashville terms its 1 6m 5 4 1 Today we will do this in Nashville Numbering System (NNS) but commonly, analysis is done with Roman Numerals. G goes to the relative minor Em then as you recall a 5 wants to pull to the 1 and in this case, with D it does not go straight to the 1 but takes a path towards the 1 by first going to the 4 which is C, then to the 1, our G. This is VERY common in music, and still gives a nice resolution. This is solid but effective songwriting. By the way, a 4-1 by itself is an effective cadence, called a Plagal cadence. It’s very common, and does not require a 5 for it to feel resolved. Its not as powerful, but its still in a solid 2nd place as runner up,for how well it works. So how does this analysis help us? Well it teaches us very common ways that a song can be built and most especially demonstrates ways that it can resolve back, and feel “home” again! Tomorrow we will look at the chorus!
Theory Talk - Analysis of Country Roads 1
1 like • 6h
@Phil Smith yes it’s basically teaching the key of G and some more things about it in about a week, so if you just take it one day a week this week, you will have so much core about music theory for the key of G by the end And then that’s what makes this analysis a little bit more relevant because then we can talk about what is the music doing and why does it work?
Random Song/Chart Shares
So I was looking up some of the songs that I’ve taught others over the years, mostly chords/charts, and I was looking to archive them. Well turns out there are hundreds! So I figured, might be fun to share with the community. Random Song, as it was presented to that student. Some I don't even remember teaching but apparently I did. Each day (or so) I’ll post a screenshot of one such session. Not saying it will be useful… but maybe some are better than others!
1 like • 2d
Todays Random Song Chart - Country Roads
0 likes • 15h
Todays Random Chart share - Heart of Gold
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Sean Christiansen
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@sean-christiansen-8966
Founder and Instructor of the Rock n Blues Guitar Academy, an award-winning, brick and mortar and online guitar school based in Texas.

Active 45m ago
Joined Apr 1, 2026
Victoria, TX